My feelings about this book are proving hard to articulate, or even pin down.
Gone by Michael Grant
This is the first in a series of YA sci-fi novels set in the small town of Perdido Beach, where every person aged fifteen or older suddenly disappears one morning. In addition to facing basic questions of survival, the children of the “Fallout Alley Youth Zone” (or FAYZ) find themselves in a power-struggle complicated by some individuals’ development of super-human abilities. My feelings about this book are a bit tangled, so I’m going to try and use a list to make sense of them:
- These books are described as both a sci-fi Lord of the Flies and Stephen King for kids. It does not have the believable psychology and slow transformation of a Lord of the Flies, the mounting horror as civilization leaves the boys one by one. The “bad” kids start bad and end that way, pretty much the same with the “good” or “heroic” kids. There is a lot of telling rather than showing with these characters. As to the Stephen King claim…Stephen King is Stephen King for kids. The stories are good no matter your age, and many of his novels and stories have protagonists as young (or younger) than these kids. A parallel might be drawn between some of the themes of good and evil, the premise (similar to Under the Dome in the first novel, blurbs for later novels indicate shades of It and The Stand). Rather weak tea, but I understand that marketing departments have books to sell.
- I found it hard to relate to main character Sam, the “reluctant hero” of the tale. He felt like a cipher to me throughout the novel. I was told that he had feelings, longings and reservations, but I never felt them as a reader. Secondary characters like the very capable Edilio, cowardly Quinn and Astrid, and pragmatic Albert felt far more vivid to me. The book shone brightest in segments dealing with Lana, the exiled problem-child who finds herself alone and gravely injured in the desert.
- I liked that some characters were allowed to be cowardly, and the recognition of the damage seemingly “courageous” acts can do when carried out by an emotionally sensitive person.
- Fifteen is a weird age to disappear at. Perhaps this will be explained later in the series, but it just sort of sat in the back of my mind bugging me while I read. It seems like an age picked for convenience to the writer rather than logic.
- The beginning progresses rather slowly, but after the arrival of the private-school kids things get crazier and crazier. This is good. When the crazy picked up (and the action with it), it became easier to get caught up in the story and ignore some of the weaker characterization/writing.
- The people of Perdido Beach were not the only things affected by the event that spirited away the adults and granted others powers. This is another strong point of the novel.
In the end, I liked the story and am interested to know what happens to the denizens of the Fallout Alley Youth Zone, but I am reluctant to actually read more of Michael Grant’s writing. His ideas are aces, his execution is only okay. For others, I imagine it will be a matter of taste. If you are picky about writing, maybe not the story for you. If you can ignore clunky sentences and unearned character moments as long as there’s plenty of wild action, I couldn’t recommend this book more.